葉維納斯的誕生曳

射陽縣第二中學黃士龍

TheBirthofVenusisa1486paintingcompletedbyItalianartistSandroBotticelli

淵1445要1510冤.Itdepicts淵描繪冤thegoddessVenus袁havingemergedfromtheseaasaclassicalstatueandfloatingonaseashellwhichisasymbolforawoman蒺svirginityin

fullygrownwoman袁arrivingattheseashore.Venusrisesfromthesea袁lookinglikea

classicalantiquity.OnVenus蒺rightisZephyrus袁GodofWinds袁hecarrieswithhimthegentlebreezeAuraandtogethertheyblowtheGoddessofLoveashore.TheHorae袁God鄄袍冤inreadinessfortheLoveGoddess蒺arrival.SomeromanticnotionssuggestthatBotti鄄dessoftheSeasons袁waitstoreceiveVenusandspreadsoutaflowercoveredrobe淵禮celliimagineshimselfastheGodofWinds袁embracingtheloveofhislifeinhisarms.wasrevealedthat32.5cmofthetopofTheBirthofVenushadbeenplanneddown袁cre鄄putthemsidebyside袁eventhoughtheyweremadetobetogether.

Thepictureoriginallyhunginthecountryvilla淵別墅冤oftheMedicialongwithanotheratingthissizedifferencewhich袁eventoday袁meansthattheUfizi蒺scuratorsdon蒺tdaretosuperblycleaned.Pearlyflesh袁nearlytranslucent淵半透明的冤袁theskinissofinethatviewershavetheimpressionthattheseacanbeseenthroughit.FromthefantasticimageoftheVenus袁wecanseeBotticelli蒺ssimple袁butveryeffectivelinedrawingadmiredbyseldomgivesweightandvolumetohisfiguresandrarelyusesaarehardtohold.Itisclearthatthisisafantasyimage.

alotofpaintersandviewers.Botticelli蒺sartisneverfullycommittedtonaturalism.HeWordbank1.virginityn.貞潔2.curatorsn.館長deepperspectivespace.FromTheBirthofVenus袁wecaneasily

AllofthemarvelousqualitiesofBotticelli蒺spaintingonlyappearedafterithadbeen

paintingPrimavera袁indicatingthattheworkiscommissionedbytheMedicifamily.It

findthatthefigurescastnoshadowsandtheposesofthefigures

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參考譯文

幅畫遙畫中描繪了已然成年的女神維納斯從海中浮水而上到岸邊遙從海中緩緩升起的維納斯看上去就像是個古典雕塑袁輕立于貝殼之上袁而在古代袁貝殼就是女性貞潔的象征遙維納斯的右邊是風神仄費羅斯袁他懷抱輕柔的春風女神奧拉袁他們合力把愛神吹送到岸邊遙四季女神霍莉手拿綴滿鮮花的長袍迎候在岸邊遙畫中的浪漫氣息可能暗示著波提切利把自己幻想成風神袁懷抱生命的摯愛遙這幅畫和另外一幅葉春曳最初被懸掛在美蒂奇家族的鄉(xiāng)村別墅中袁說明此畫是受美蒂奇家族委托所作遙有跡象表明袁葉維納斯的誕生曳畫作上部刻意被縮短了32.5厘米袁這種差距使得烏菲茲美術(shù)館的館長至今都不敢讓這兩幅畫并排掛在一起袁即使當初它們是合為一體的遙

但波提切利畫作的所有神奇之處卻都只是在經(jīng)過精心清潔處理之后才顯現(xiàn)院近乎半透明的圓潤肌肉和光滑的肌膚袁令觀賞者感覺像看到了清澈見底的大海遙在維納斯迷人的姿態(tài)中袁不難發(fā)現(xiàn)波提切利簡單卻不失表現(xiàn)力的線條描繪袁難怪令很多畫家和觀賞者贊嘆不已遙他很少賦予人物重量和體積感袁更很少使用深度透視的空間遙從葉維納斯的誕生曳中能清楚地發(fā)現(xiàn)所有人物都沒有投影袁姿勢也很難掌控遙顯然袁這種意象是想象力的產(chǎn)物遙

波提切利淵1445要1510冤于1486年完成的一葉維納斯的誕生曳是由意大利畫家桑德羅窯

葉維納斯的誕生曳

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2019.7